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“You’re right. Seeing how willing and able Sid is to have sex, kind of overwhelms our normal reserve. I fear that we act like total idiots around him. We are so much more aggressive around men from Earth, but that is only because we can be that way,” Sally answered.“Oh,” Cynthia said.“Heroes from Earth are our fantasy males. They are strong, courageous, and virile. They are potent sex symbols.”“I guess I can understand that,” Cynthia said. It seemed to her that on Earth, male sex symbols were androgynous characters, rather than real men. She said, “Sid is very impressed with the women of Cassandra. I am, too, but I can’t quite put my finger on what impresses me.”Smiling at the other woman, Sally said, “I have noticed that you are rather demanding in how you deal with Sid.”“What?” Cynthia asked.Sally answered, “You need to learn subtlety. You need to learn how to let Sid know every minute of the day that you desire him, and you have to do it without overwhelming him.”Cynthia thought. Or in July.It was February. October would be eight months from now; July would be 17 months. Plus nine. So she might be a mother between July 2018 and April 2019. And the new Hollister would be just about a year old when she received her doctorate.She shook her head. Her fantasy was getting a bit out of hand. But she’d have to try to supply some of the calendar/schedule to Patrick. She went back to an outline and an introduction for Dr. Garshin.OutlineIs a landscape constructed, construed, reflected? Do we think the landscape sketches of Breughel or Duerer or Rembrandt or Claude Lorrain; of Casper David Friedrich or J.M.W. Turner; of Cole or Bierstadt in America; or of the Group of Seven in Canada are real? Landscape views in art may be entirely imaginary, or copied from reality with varying degrees of accuracy. This work is an attempt at formulating an Australian vision focussing on the works of Dupain and Williams. [Chinese landscapes? > Japanese?]A. IntroductionB. BiographiesMax.
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