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"Derek had seen her come in when he was finishing up his lunch. Eventhough he had already had something he had them bring him a piece of thepie as well and slowly ate it while he and Jenny talked. They talkedabout nothing important really for the next hour or so and took theirtime eating the pie. It was really good. Bob had his staff make it in thekitchen rather than get it from a supplier and she could really taste thedifference.After they finished Derek got up and told her that he really had to begetting back and that he had really liked talking with her. She watchedhim walk back to Java Jolts and for a brief moment caught herselfadmiring him before she pushed the feeling away and tried to pretend thatshe hadn't had it. It wasn't until she was getting ready for bed later onthat she realized that somehow, in the course of her conversation withhim, she had invited him over to the cookout at her place next. The person telling the story is someone who usually wants to be liked, as any of us do. He or She wants your sympathy (most times) and craves your understanding and good opinion as she relates her adventure. What the narrator reports to you is (usually) taken from a perspective of remembrance. The character is retelling events from memory and so we can safely assume that they are filtered through the lens of time, if nothing else.Sometimes I play with that deliberately, but most often I do try and keep the narrator honest. Still, there are times when I do make it a point to lie in the interest of developing either character or plot, or both. I use it as a tool to avoid details when I'm not in a mood to provide them. I like the ready excuse first person allows me to be vague and obscure at times, if it benefits the story. It offers varying opportunities to enter a sub-textual dialogue with readers and provide information through what is hidden or revealed.None of it is ever obvious (I.
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