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"Lisa gathered Tina and her daughter into her arms, and said simply, "I do."And John did the same thing with Sarah and his son, and said the same thing.Once the worst of the emotional storm had passed, John waved Connie and Tom over from the corner of the paddock they'd retreated to while the lovers settled their issues, and said, "Come on in. This calls for a drink."Once everyone was settled inside, John took his son in his arms, and looked into his eyes. "What do you call him?" he asked Sarah, mindful of the comments about true names and common names that Matthew had made the previous year."I call him John," she said, blushing, "But it is not unusual for a baby's common name to change, especially in a situation like this."John blushed in turn, and said, "You know, I never knew what you called yourself, really. I just gave you a new name, and never thought to ask what to call you in private."Sarah smiled at him, and said, "Before we came here, I was called Mithna, but I loved the. Mike Figgis might be able to pull it off. In lesser hands, it was too symmetric for anyone except a film school student to enjoy.I wrote the musical theme for the piece. Theme and variations. The cop's theme. The deputy's theme. Variations on a basic theme. I mirrored the film school symmetry: I inverted the theme for the assailant and his victim. It worked beautifully. A work for hire, sold to the production company for use on this one film. And that's where the problem started.The distribution rights on the indie got sold to Howie, a porno producer who wanted to transition to being a legit distributor. He bought the film, with the right to recut it. He didn't see any value in the film school symmetry, so he decided that the film would do better as a slasher pic, and he had it recut. As a slasher pic, it made no sense and died in its first screening. It didn't make it out to the drive-ins. But Howie liked the assailant's theme and the victim's theme, and copied them from the.
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